By Paul Heyer
A landmark successor to the stated vintage, Architects on structure American structure principles and Ideologies within the past due 20th Century Paul Heyer From the writer of the best-selling Architects on structure, here's a huge new contribution to the historical past and concept of recent structure. Arriving at an exciting time of reevaluation of the early smooth circulation and growing to be sensitivities to historicism and cultural connectivity, this sequel bargains a awesome photo of a lot of the easiest paintings produced by way of Americas best architects within the past due 20th century. Readers will obtain an extraordinary examine the paintings of a couple of hundred of crucial, so much influential modern architects, tested in gentle of the evolution of recent rules and the appearance of latest know-how. greater than illustrations transcend illumination of the textual content to operate as a unprecedented pictorial historical past of the architects artistry.
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Additional info for American Architecture: Ideas and Ideologies in the Late Twentieth Century
With the idea of the exterior so abstract, monolithic, and intellectually removed, small cuts and projections as at the entrance and the gently curved ends, cause the smallest shadow line to become a strong highlight. The play, if more articulated, is still subtle and abstract, the building's skin against the surfacing of structure; the clean, simple expression of an idea brought directly forth from contemporary technique and a brave new world attitude. The development of a new spirit toward volume in a building and how to appropriately enclose that volume has been an elemental idea in the work of Lumsden and Pelli, and posits the importance of progressional evolution in the design process as an idea is worked at, evolves, and matures.
The idea was for an aesthetic system without the intrinsic implication of form that would suggest a logical and functional relationship of the program. The evolution of their search into lightweight skin enclosures led in a series of Los Angeles buildings from the wrapping of the conventional rectangular volume in the Century City Medical Plaza building, to the curving of corners at One Park Plaza, to the more sculptured yet still basically rectilinear total volume of the Century Bank Plaza, to the totally undulating, curving facade of the Manufacturer's Bank.
A poured concrete pavilion conceived as a small, hollow cube, it was designed to terminate the axis of an allÃ©e of trees in the grounds of a private house. It was to be a play of light on form as, through a window slot opening and skylight defined by an inward sloping plane, sunlight would beam downward into a colonnade space with a central, apsidal wall focus. The College Life Insurance Company of America, by the same architects, is also an idea based on an abstract, geometrically disciplined concept, but here for a monumental composition consisting of three identically designed 11-story sloping office towers (eventually planned to become a cluster of nine towers).
American Architecture: Ideas and Ideologies in the Late Twentieth Century by Paul Heyer